Peking Opera Blues (4K Restored Version) (DBHK)

Bringing together three of the most popular actresses at the time, this portrayal of sisterhood during the warlord era features vividly drawn characters, dynamic pacing and dazzling colours. Unfolding a comedy of errors against the backdrop of a Peking opera troupe, the film uses history and gender reversal to parody the present, creating a masterclass in blending art and entertainment. The theatre becomes the intersection of political and personal destinies, and the rooftop gunfight in the finale exemplifies the integration of martial arts elements. Using the opening credits to emphasise the importance of the score, the film even skilfully uses music to link the different segments of the story.

The film’s visual style is not only thrilling; it is also deeply moving. Bordwell particularly noted the scene of Bai Niu peeking backstage, in which the use of curtains and change of colours highlight the character’s psychological transformation. He also used the staging of the bedroom scene as an example of how Tsui Hark meticulously designs each shot, employing layers of veil to maximise comedic effect.

Hong Kong premiere of the latest 4K restoration by Shout! Studios.

14/12 Post-screening talk: Original speakers Prof Emilie Yueh-yu Yeh and Prof Darrell William Davis are unable to attend. The session will feature Dr Timmy Chih-ting Chen, Assistant Professor at Hong Kong Metropolitan University, and editor Lai Kwun-tung (ALL SHALL BE WELL, GIRL) as speakers (in Mandarin and Cantonese).