故事簡介

1980年代初，主流媒體宛如一座巨型資源庫，飽受顛覆之作的挑釁和衝擊。不論藝術家是以超八攝錄機拍攝電視畫面，還是以「搬字過紙」式複製錄影帶，均巧妙地選取和並置各式各樣的材料，藉以擾亂當代主流意識形態和創造出新式的視覺音樂。本放映場次收錄了多部「扒片錄像」潮流的經典作品。
The Attitude Assumed: Still Life with Still Born, UK, 1980, dir. Cerith Wyn Evans, 19 min.
Skinheads and Roses, UK, 1983, dir. Jill Westwood, 7 min.
Pop Dolphin, UK, c.1983, dir. Jeffrey Hinton, 23 min.
Tilt, UK, 1984, dir. George Barber, 6 min.
Branson, UK, 1983, dir. George Barber, 2 min.
Blue Monday, UK, 1984, dir. Duvet Brothers, 4 min.
The Commander in Chief, UK, 1984, dir. Gorilla Tapes, 4 min.
Art of Noise: Legs, UK, 1985, dir. George Barber and George Snow, 6 min.
Passion Triptych, UK, 1982, dir. Cordelia Swann, 4 min.